Current themes evident in copyright arguments from 100 years ago

From thep​ub​lic​do​main​.org comes this inter­est­ing and reveal­ing series of excerpts from the leg­isla­tive his­tory of the 1909 Copyright Act:

I have been reread­ing the leg­isla­tive his­tory of the 1909 Copyright Act.  I have come to the con­clu­sion that 100 years ago we were smarter about copy­right,  about dis­rup­tive tech­nolo­gies, about intel­lec­tual prop­erty, monop­o­lies and net­work effects  than we are today. At least, the leg­isla­tive hear­ings were much smarter.  The hear­ings I am look­ing at took place in 1906 — thanks to the won­der of Google books you can read them your­self, if you are really nerdy.

via Were we smarter 100 years ago..? | The Public Domain.

Themes from then and now cer­tainly recurred, but there seemed to be a bet­ter bal­ance among the busi­ness inter­ests as to the pros and cons of var­i­ous copy­right restric­tions. For exam­ple, here is an argu­ment from the rep­re­sen­ta­tives of the record­ing and player piano indus­tries that their tech­nolo­gies actu­ally encour­ages the dis­sem­i­na­tion and sales of music — rem­i­nis­cent of argu­ments by many today:

The whole of the arti­cle is worth read­ing, if only to remem­ber that our cur­rent sys­tem was hardly inevitable, and that many pro-​​business argu­ments can be made for a dif­fer­ent approach.

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  1. Image credit: Old Sheet Music Page